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1908 idem, Le Monophysisme severien (Louvain, 1909 93-111. As a fact the Antiochene party had no difficulty in coming to terms with. Later on Nephalius joined the more moderate Monophysites, and finally the Catholics, acceptingRead more
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epigraph for "Slouching Towards Bethlehem no such image exists to sum up "The White Album." This second volume of essays is not so absolute in its tragic vision of the world, not so unquestioningly bleak about history. In the middle of a piece about the design of shopping-centres, Miss Didion abruptly announces: If I had a center I would have monkeys, and Chinese restaurants, and Mylar kites and bands of small girls playing tambourine. "I wanted a house with a center-hall plan with the living room on your right and the dining hall on your left when you come.
Not leave is more like. I think the reason is the six years of friendship when we were both starting off together." Didion agrees: "Writers are very boring to live with. The bad characters are shallow pragmatists. Wearing a faded blue sweatshirt over brown corduroy levis, Didion at 44 strikes anyone who sees her for the first time as the embodiment of the women in her novels" like Lily McClellan in "Run River she is "strikingly frail" (Didion is 5 feet. One bad afternoon in New York, packing a suitcase and crying while he watched me Didion wrote in a Life column.
Miss Didion used to be excited by human stupidity and viciousness. (November 2014 the White Album is organized into five sections. The good characters are (between ourselves) shallow nihilists. The perfect geometric regularity of those folds triggers migraines, she thinks. All are brash, irreverent skeptics capable of almost cruel beligerence and possessed of sexual charm that renders the women powerless. Ten years on, the emphasis has changed; you might even say, after 200 pages of these high-profile musings, that whatever Miss Didion feels reflects how she writes. Told by one woman about another, the novels catalogue of lost husbands, lost children and lost lucidity its endless revisions and erasures is glimpsed through a mesh of distortion and dislocation. It is, in short, a landscape of extremes. Her passport there was first prize in the Vogue magazine Prix de Paris writing competition, which she received for a piece on the San Francisco architect William Wilson Wurster. Having told us where she is and why (Honolulu, to save her marriage Miss Didion proceeds: I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what.
Didion the white album essay